Starlight Vst Free Download

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BitterSweet v3 is Flux:: acclaimed transient processor used by hundreds of thousands of users for audio transient management with the simple turn of a knob – Turning it to the Sweet side reduces the transients, and turning it to the Bitter side magnifies the transients – No dongle or registration required – 100% Freeware!

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  • StarLight Is Our First HAND CODED VST Instrument. We Made This One From Scratch, From The Ground-Up Baby! This New VST Has An Absolutely BEAUTIFUL Designed GUI Interface & With AMAZING Sound Selection Presets To Match. When You Open Up STARLIGHT In Your DAW You Will Feel Like You’re In The CockPit Of A SpaceShip On Your Way To Another Galaxy.

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“I used the first version of BitterSweet years ans years ago on some projects… BitterSweet does transient design in a really nice way.”

Guitar IQ

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“BitterSweet is a very handy tool for shaping some of the dynamics in a very simply way.”

ProducerSphere

“BitterSweet can give some really remarkable results, and genuinely rivals other commercial transient processors in terms of sound quality and consistency!”

Wavbvkery


“Bittersweet v3 by Flux Audio provides everything you need from a transient designer, for free. It sounds great, is easy to use, and delivers great results.”

All Features

  • Up to 8 channels Input/Output
  • Output Gain
  • Controls the Output Gain at the end of the processing (-/+ 12 dB).
  • Link to Output Gain – Compensates the Output Gain depending on the Transient Amount in order to achieve unity gain.
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  • True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal
  • Transient Amount – Adjusting the Bitter/Sweet setting for decreasing or increasing the transients.
  • Transient Integration – Provides three different modes of transient processing; Fast, Medium and Slow
  • Period – For setting the range of the time window used to detect the transients that will be processed.
  • Three different Operation Modes (Main, Center, Stereo) offering versatile transient processing.
  • Open Sound Control Support

Turning the knob to Sweet side reduces the transients which commonly decreases any transient-rich percussive sounds in the mix, and turning the knob to the Bitter side magnifies the transients which commonly increases any transient-rich percussive sounds in the mix.

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Using a built in M/S Encoder/Decoder the Mid (Center) or the Side (Stereo) parts of the sound can be processed independently.

  • Main – processes using regular stereo signal scheme and it’s the only available mode for multichannel operations
  • Center – engages the internal MS encoder and processes only the Mid channel. After processing, the sound is decoded back to stereo (useful for snare/kick drums)
  • Stereo – engages the internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. (Efficient for panned rhythmic instruments)

Using a built in M/S Encoder/Decoder the Mid (Center) or the Side (Stereo) parts of the sound can be processed independently.

  • Main – processes using regular stereo signal scheme and it’s the only available mode for multichannel operations
  • Center – engages the internal MS encoder and processes only the Mid channel. After processing, the sound is decoded back to stereo (useful for snare/kick drums)
  • Stereo – engages the internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. (Efficient for panned rhythmic instruments)

SOUNDSCAPES, TONES, TRANSITIONS

  • Unique cinematic granular timbres
  • Tailored modulation with precise control of intensity and timing
  • Drag and drop your own samples for one of a kind sounds

GRANULAR-BASED SOUND DESIGN

Craft unique cinematic soundscapes, transitions, and ambient tones in real-time. Built for sound designers and film, TV, and game composers, STRAYLIGHT is ideal for everything from post-apocalyptic sci-fi to gritty thrillers. It combines specialized grain and sample playback modules with carefully captured sound sources, effects, and a powerful performance-based X-Y modulation matrix, allowing inspirational dynamic performance and sound design, direct to picture.

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Both the granular and sample modules offer deep editing possibilities for personalizing the source sounds and intelligent randomization for generating new sounds quickly.

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Use tempo-synced grain cursor speeds for creating perfectly timed transitions and risers.

Select up to four different effect types each for the grain and sample layers, plus four additional master effects, and two send effects – and you can assign parameters from all those effects to macros or the X-Y matrix.

Tag based browsing for both presets and sound sources makes it easy to find what you’re looking for. Tags even apply when randomizing the modules.

Easily assign MIDI CC to the XY matrix, and use it in conjunction with master effects to ride intensity, direct to picture. Free vst instruments for ableton.

SOUND SOURCES

STRAYLIGHT delivers screen-ready cinematic sound sources without the need for additional processing – letting you concentrate on creativity, even when time is tight. We spent a lot of time testing sources and playing techniques, looking for the best and most interesting sounds for the granular engine – such as rubbing a rubber ball on glass. The result is over 360 unique matched sound sources for the granular and sample modules, with over 300 presets.

THE GRANULAR ENGINE

STRAYLIGHT has a bespoke granular engine that places the source audio into a powerful and specialized – yet easy-to-use – interface. Harness lush, organic timbres that can defy time and pitch, yet still retain the pristine character of the source sounds (strings, glass, stone, membranes, even your own samples, and more), and sonically evolve over time (risers and transitions can adapt automatically to project tempo).
Small sounds can be vastly magnified in size and scope without sacrificing their sound quality or character. The granular engine is then paired with a layer from the sample module, offering the same level of editing and modulation.

PERFORM REAL-TIME MODULATION

STRAYLIGHT’s modulation and effects sections ensure a fast, creative workflow. The precise X-Y control enables expressive direct-to-picture performance and detailed control over intensity and timing. Apply and modulate up to 14 different effects – taken from nine different categories: Filters, dynamics, EQs, gaters, drivers, modulation, delays, utilities, and reverbs, as well as the renowned chorus, flanger, and phaser effects from MOD PACK. STRAYLIGHT even includes specially captured reverb impulse responses, selected to complement its audio content and granular engine.

CREATED WITH FRANK ELTING AND PAUL HASLINGER

STRAYLIGHT was built in collaboration with Frank Elting and The most human colors, a boutique instrument and sound design agency. The instrument was also developed in consultation with composer Paul Haslinger (Underworld, Minority Report, Fear The Walking Dead, Rainbow Six: Siege).
Here we talk to Paul about his approach to composing for film, TV, and video games, and how he drew on this experience to help us design STRAYLIGHT:

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AT A GLANCE

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Product type: KOMPLETE Instrument
Instrument type: Real-time cinematic texture instrument
For use with: Free KONTAKT PLAYER version 6.2 and higher, or KONTAKT version 6.2 and higher.
Number of sounds: > 450 master Snapshots
1 NKI that includes: 319 grain source sets
50 sample sets
Sound categories: Atmosphere, Pad, Lead, Transition, Keys, Effects, Subs, Pulses
Download size: 2,47 GB (3,86 GB uncompressed samples)
System requirements: STRAYLIGHT needs a fast CPU to run and requires an Intel i7 processor or higher.
Free KONTAKT PLAYER version 6.2 and higher, or KONTAKT version 6.2 and higher.
Please also see the KONTAKT PLAYER system requirements and the KONTAKT PLAYER FAQ
User Manual: Download Manual